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Alysha Umphress is excellent.
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Paul Schoeffler is an excellent Don Quixote.
I found it both honest and thoroughly entertaining—a winner from start to finish.
This well-rehearsed imitation of Patsy Cline had no more to offer.
The intimate little stories work less well in this big musical theater adaptation.
I applaud the determination of the the surviving co-creators to put the material in the best possible shape.
Michael Caizzi commanded the stage from beginning to end with an authority that is rare to find among college player.
I give lots of credit to Paper Mill Playhouse, which has courageously launched its new season with a wholly original musical.
Show Boat is, quite simply, the best production that the Westchester Broadway dinner theater has mounted in years.
Hard-Times-Cabaret-Scenes-Magazine_300I was hit harder emotionally by an intimate new musical, Hard Times: An American Musical, at the Cell Theater on 23rd Street, NYC than by many big musicals I’ve seen of late.
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