Peter Haas
Writer, editor, lyricist and banjo plunker, Peter Haas has been contributing features and performance reviews for Cabaret Scenes since the magazine’s infancy. As a young folk-singer, he co-starred on Channel 13’s first children’s series, Once Upon a Day; wrote scripts, lyrics and performed on Pickwick Records’ children’s albums, and co-starred on the folk album, All Day Singing. In a corporate career, Peter managed editorial functions for CBS Records and McGraw-Hill, and today writes for a stable of business magazines. An ASCAP Award-winning lyricist, his work has been performed at Carnegie Hall, Feinstein’s, Metropolitan Room and other fine saloons.
Peter Haas's Latest Posts
The Gala Opening Night.
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Kent’s strength is her repertoire of international numbers
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He kept the room happily riveted.
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L&L presented a warm-hearted look at Rodgers’ work.
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She turned the room into a combination love-fest and party.
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Has a rich voice, simplicity of style, and warm personality.
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Holbrook, in fine voice, delivered a strong show.
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A special pleasure in seeing Douglas’ shows over time is to see the increasing strength, sureness and beauty in her performing.
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Ron Dabney has a winning style and a deep, rolling voice reminiscent of burnished oak.
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An evening with Andreas remains “one of those fabulous flights.”
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