Suffers from its reach exceeding its grasp.
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The show is insightful, heartfelt, and lustrous.
The show proves enchanting.
Amélie lacks that vital frisson of delight and never quite takes flight.
Gay Marshall returns to NYC’s Pangea.
An acclaimed soprano.
Marshall has a big and often thrilling, but very controlled, voice that seems to be perfect for French chansons.
Theatrical, passionate and unrestrained.
Her strong vocal performance coupled with a well-constructed show portends a bright future,
Her voice is a pleasure to listen to.
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